
Roots
The strands that crown us, in all their intricate coils and waves, carry stories within their very structure—whispers of generations past, of hands that nurtured, adorned, and honored. When we consider the simple tool we call a comb, we uncover not just a functional object, but a tangible link to our ancestral hair wisdom, a testament to the ingenuity and care deeply rooted in textured hair heritage. This journey into what materials were used for ancient combs invites us to listen to the echoes from the source, to understand how early civilizations, particularly those with a profound connection to coily and kinky hair, fashioned tools from the earth’s offerings to tend to their crowning glory.
Across continents and countless millennia, the earliest human communities recognized the need for tools to manage hair. These were not merely instruments for tidying; they were often symbols of status, expressions of artistry, and conduits for spiritual belief. The choices of material, shaped by immediate environment and available resources, speak volumes about the lives and practices of our forebears.

From Earth’s Bounty ❉ Foundational Materials
Ancient comb makers turned to a variety of natural elements, each lending distinct properties to the final creation. These choices were often dictated by what was readily accessible and what offered the necessary durability and workability for the task at hand.
- Wood ❉ Among the most widespread materials for ancient combs was wood. Its availability across many regions, ease of carving, and natural warmth made it a universal choice. Different types of wood offered varying densities and grain patterns, influencing the comb’s strength and smoothness. Neem wood, for instance, known for its beneficial properties, was prized in parts of Asia for its durability and ability to distribute natural oils through hair, even possessing anti-static qualities. In Japan, specific woods like boxwood or tsuge were selected for their fine grain and ability to resist static electricity, becoming central to traditional hair practices.
- Bone ❉ Animal bones provided another strong and adaptable material. The robustness of bone allowed for fine teeth and detailed carvings. Archaeological finds from ancient Egypt and Canaan show combs crafted from bone, highlighting its significance in early grooming. Bone combs often exhibit intricate designs, suggesting their dual role as practical tools and decorative pieces.
- Ivory ❉ A more luxurious material, ivory, particularly from elephants or hippopotamuses, marked combs as symbols of wealth, status, and prestige. These combs were often intricately carved and sometimes imported, signaling distant connections and trade networks. In ancient Egypt, ivory combs dating as early as 3900 BCE featured elaborate animal motifs, from giraffes to ostriches, hinting at their ceremonial use in festivals or their link to ritualistic hunting.
- Shell ❉ Certain ancient cultures also utilized shells, such as tortoiseshell, for comb production. These materials offered a distinct aesthetic and pliability when heated, allowing for unique designs. While less common in the archaeological record compared to wood or bone, their presence speaks to the diverse material palette employed by early artisans.
- Metal ❉ Early metal combs, though less frequent than their organic counterparts, appeared in some civilizations, particularly in regions like ancient Rome and medieval Europe. These were often reserved for the elite or used for specific, perhaps more ceremonial, purposes, their metallic gleam signaling power or sacred intent. Materials like brass and bronze were sometimes used in African combs as well.
Ancient comb materials, drawn from wood, bone, ivory, and shell, reflect both environmental availability and the deep cultural meaning ascribed to hair tools.

Hair Anatomy and Material Choice ❉ An Ancestral Resonance
The physical properties of hair, especially textured hair, directly influenced the design and material of ancient combs. African hair, with its unique coily and kinky patterns, typically requires wider-spaced teeth to prevent breakage and effectively detangle. Ancient Egyptian combs, for instance, often featured wider gaps between their teeth, a design choice that speaks to an ancestral understanding of how to best care for what is often termed “African type hair.” This thoughtful design allowed for gentle detangling and styling, honoring the hair’s natural resilience.
The earliest forms of combs in Kemet (ancient Egypt) were quite like the “pik” we recognize today, characterized by their long, widely spaced teeth. These tools were not simply for neatness; they facilitated elaborate styling, allowing individuals to shape their hair and wigs. The meticulous craftsmanship observed in combs from over 5,000 years ago underscores the deep regard for hair care and adornment in these societies.

Ritual
The comb, far from being a mere functional object, often held a sacred and ceremonial position in ancient societies, especially within cultures that celebrated textured hair. Its utility transcended simple grooming, intertwining with rites of passage, expressions of identity, and the very fabric of community life. Unpacking the rituals surrounding ancient combs illuminates their profound connection to heritage, revealing them as conduits for cultural narratives and spiritual beliefs.
In many ancestral traditions, hair was regarded as a spiritual antenna, a connection to the divine, and a repository of personal and collective history. The tools used to tend to this sacred crown therefore acquired their own special meaning. The act of combing itself became a ritual—a moment of self-connection, a communal practice, or a symbolic gesture within ceremonies.

How Did Ancient Combs Serve More Than Just Grooming?
Ancient combs often served as powerful symbolic items, reflecting social standing, group identity, or religious beliefs. In Predynastic Kemet, combs functioned as status symbols and adornments worn in the hair, a practice echoing across many African cultures. The designs etched upon these combs frequently referenced nature, spirituality, or societal structures, making each piece a small archive of meaning.
For instance, ancient Egyptian combs from elite burials were often adorned with carvings of deities, animals, and other motifs, signaling the social and spiritual importance of the comb in their culture. These items accompanied individuals into the afterlife, signifying the belief that personal grooming, even beauty, held significance beyond earthly existence. The presence of combs in burial sites, dating back to prehistoric times, suggests their role as tokens of ritual importance, perhaps to ensure one appeared perfectly groomed when meeting the gods.
| Material / Design Element Ivory Combs |
| Cultural Context / Significance Often associated with wealth, high social status, and sometimes imported from distant lands like Egypt to Canaan. |
| Implication for Textured Hair Heritage Reflects the resources and status of individuals able to afford specialized tools, potentially for elaborate textured styles. |
| Material / Design Element Animal Motifs |
| Cultural Context / Significance Frequently carved into handles of combs in Kemet and other African cultures, possibly representing respect for nature, religious connections, or power. |
| Implication for Textured Hair Heritage Demonstrates a worldview where hair care tools are integrated into broader spiritual and natural philosophies, deeply connected to ancestral practices. |
| Material / Design Element Wide-Toothed Designs |
| Cultural Context / Significance Prevalent in ancient African combs (e.g. Kemet, Kush) for effective detangling and styling of coily and kinky hair. |
| Implication for Textured Hair Heritage Highlights an ancient, practical understanding of textured hair needs, passing down essential care methods through tool design. |
| Material / Design Element Placement in Burials |
| Cultural Context / Significance Combs found in tombs as functional tools, decorative items, or symbolic objects for the afterlife. |
| Implication for Textured Hair Heritage Underscores the enduring value placed on personal appearance and hair care, suggesting a continuity of identity beyond physical life. |
| Material / Design Element The materials and symbolic carvings on ancient combs served not only practical purposes but also acted as profound markers of identity, status, and spiritual belief across diverse cultures, particularly those with a rich textured hair heritage. |

Ancestral Care Rituals ❉ The Artistry of the Comb
The specific architecture of textured hair, with its natural tendency to coil and shrink, requires tools that accommodate its unique resilience. The wide-toothed comb, often crafted from wood or bone, emerged as a universal archetype across African civilizations. These combs, some unearthed from Kemet and Kush dating back 5,500 to 7,000 years, are strikingly similar to the afro picks of more recent memory. Their design allowed for deep access to the scalp, facilitating detangling and enabling the creation of elaborate, sculptural styles that defined communal identity.
In Ghana, the Dua’afe, a wooden comb, holds associations with femininity and beauty. The care practices embedded in the use of these combs extended beyond simple detangling; they were part of holistic rituals that nourished both the hair and the spirit. The smooth, wide teeth of wooden combs, for example, minimize static electricity and gently distribute the scalp’s natural oils, keeping hair moisturized and reducing breakage. This speaks to a long-standing knowledge of hair health, predating modern science, yet validated by its principles.
The wide-toothed designs prevalent in ancient African combs reflect an early, intuitive understanding of textured hair’s unique requirements, linking ancestral practices to modern care.
Consider the Akan people, where combs were given as declarations of love or exchanged during marriage ceremonies. The Yoruba tradition, conversely, might see a comb sent as a gesture to conclude a friendship. These nuances reveal a sophisticated language woven into the very act of gifting and using combs, underscoring their role in social and emotional exchanges within a community.

Relay
The story of ancient combs, particularly those shaped by the needs of textured hair, is not confined to the distant past. It is a living narrative, a powerful relay of knowledge and meaning across generations and geographies. This section endeavors to connect the tangible artifacts of antiquity with the enduring practices and identities that continue to shape the textured hair experience today. It demonstrates how materials and forms from long ago continue to speak to contemporary wellness, cultural expression, and acts of self-determination.
The journey of the comb, from elemental creations of wood and bone to the symbolically charged tools of our modern era, highlights a continuous dialogue between human ingenuity and hair’s inherent characteristics. This continuity is especially apparent when examining the legacy of African combs, whose designs and significance have persisted despite historical shifts and diasporic movements.

How Does Ancient Comb Design Echo in Modern Textured Hair Tools?
The echoes of ancient comb designs are profoundly felt in contemporary tools used for textured hair. The earliest combs found in African civilizations, some dating back 7,000 years from regions now known as Sudan and Egypt (Kush and Kemet), featured long, wide teeth. This design is directly related to the hair’s coiled structure, allowing for efficient detangling and shaping without causing undue stress or breakage.
This ancestral design principle is directly reflected in the modern afro pick. The fundamental architecture of the afro pick—its long, robust, and widely spaced teeth—is not a recent invention; it is a direct descendant of those ancient tools. This consistency across millennia provides compelling evidence of a deep, inherited understanding of textured hair’s unique care requirements.
Ashton (2016) notes a striking parallel between a bone comb from Dawu, Ghana, dating to the 17th-18th centuries CE, and combs made by enslaved African people in the United States. This observation underscores a remarkable continuity of practical design and cultural memory, where the need for tools suited to specific hair types transcended forced displacement and maintained a tangible link to ancestral practices. The simple form of the comb, carried across oceans, became a quiet symbol of enduring identity and resilience amidst immense change.
The enduring design of wide-toothed combs, perfected by ancient African civilizations for textured hair, continues to influence modern tools, showcasing a living heritage of hair care.
The materials themselves, while evolving, retain ancestral wisdom. Modern wooden combs, crafted from sustainable sources like bamboo, sandalwood, or neem, are seeing a resurgence precisely because they mimic the gentle, static-reducing properties of their ancient counterparts. They align with a holistic wellness approach, offering benefits for scalp stimulation and natural oil distribution, much like the traditional methods employed by ancient communities.

Combs as Artifacts of Social and Political Statements
The historical significance of combs extends into the sociopolitical realm, particularly within Black and mixed-race experiences. The traditional African comb, whether from ancient Kemet or a West African community, often symbolized status, group affiliation, and religious beliefs. Handles might be adorned with human figures, animal motifs, or other symbols connecting the wearer to their heritage and worldview.
This inherent symbolic power took on a new and powerful dimension in the 20th century. During the 1960s and 1970s, the afro comb transformed into a potent emblem of racial pride and collective identity during the Civil Rights and Black Power movements in the U.S. and U.K.
The iconic ‘black fist’ afro pick, popularized in 1972, served as a wearable protest, a declaration of self-acceptance and a visual connection to ancestral roots. This artifact, though often mass-produced from plastic, carried the weight of thousands of years of history, becoming a statement against oppressive beauty standards and a celebration of natural, textured hair.
This demonstrates a powerful example of how an ancient tool, initially crafted from organic materials like wood and bone to suit specific hair textures, could adapt its form and material (to plastic for mass production) while retaining and amplifying its profound cultural and political message across time.

What Can a Tiny Ancient Comb Tell Us About Daily Life?
Even seemingly mundane ancient combs can unlock significant insights into daily life and historical challenges. An extraordinary example is a small Ivory Comb from Canaan, dating to approximately 1700 BCE, uncovered at Tel Lachish in Israel. This comb, measuring barely an inch, features the oldest known full sentence written in the Canaanite language. The inscription reads ❉ “May this tusk root out the lice of the hair and the beard.”
This discovery is remarkable for several reasons. It provides direct evidence of the widespread issue of lice even among the affluent, as ivory was a costly, imported material, likely from Egypt, given that elephants were not native to Canaan. Beyond its linguistic importance, this artifact connects us intimately to the everyday realities of ancient peoples, showcasing how even luxury items served practical, if unpleasant, hygiene purposes.
It reminds us that across time and status, the human experience of caring for hair, and addressing common challenges, remains a constant. Such a find illuminates the pragmatic yet also deeply personal aspects of hair care within ancestral practices.
- Canaanite Ivory Comb ❉ Dates to around 1700 BCE, bearing the earliest known complete sentence in the Canaanite language.
- Inscription’s Purpose ❉ A plea for the removal of lice from hair and beard.
- Material Origin ❉ Ivory likely imported from Egypt, suggesting high social status of the owner despite the presence of lice.

Reflection
As we gaze upon the ancient combs, fashioned from the humble generosity of wood, the enduring strength of bone, or the revered luxury of ivory, we perceive something far deeper than mere tools. We see echoes of hands that understood the delicate needs of textured hair long before modern science categorized it, hands that honored hair as a living extension of self, spirit, and community. These ancestral implements, through their materials and their very existence, offer us a profound dialogue with our heritage, a continuous conversation flowing from ancient Kemet to the contemporary streets where textured hair thrives.
The comb, in all its forms, is a physical manifestation of a persistent care ethic, a quiet resistance against narratives that sought to diminish the beauty and resilience of Black and mixed-race hair. Each wide tooth, each carved motif, each worn surface holds the imprint of generations who knew that tending to hair was a sacred trust, a connection to the wellspring of their identity. This legacy is not a relic to be dusted off and admired from a distance; it is a living, breathing archive, inviting us to find our own place within its unfolding story, recognizing the enduring spirit of the strand that binds past to present, and points us toward a future woven with wisdom.

References
- Ashton, S.-A. (2011). Ancient Egyptian Hair ❉ A History of Hair in the Valley of the Kings. Oxford University Press.
- Ashton, S.-A. (2016). Combs from Kemet ❉ further thoughts on ancient Egyptian hair combs. Kemet Expert .
- Baisas, L. (2022, November 9). Ancient ivory comb shows that self-care is as old as time. Popular Science .
- Kamal, A. (1967). The Tomb of Tutankhamun ❉ A Handbook for the Traveler. American University in Cairo Press.
- Martín del Río, S. (2018). Hair and Hairdressing in Ancient Egypt. Archaeopress Publishing Ltd.
- Mumcuoglu, M. & Zias, J. (1991). Head lice, Pediculus humanus capitis (Anoplura ❉ Pediculidae) from a 9th-century C.E. Jewish tomb in Kidron Valley, Israel. Journal of Medical Entomology, 28(5), 754-755.
- Petrie, W. M. F. (1920). Prehistoric Egypt. British School of Archaeology in Egypt.
- Petrie, W. M. F. (1925). Tombs of the Courtiers and Oxyrhynkhos. British School of Archaeology in Egypt.
- Petrie, W. M. F. (1927). Objects of Daily Use. British School of Archaeology in Egypt.
- Ussishkin, D. (2004). The Renewed Archaeological Excavations at Lachish (1973-1994). Tel Aviv University.