
Roots
To truly comprehend how the earliest classifications of hair affected perception, one must first listen to the whispers of ancestral strands, to the very DNA coiled within each helix, a testament to journeys across continents and through time. This inquiry calls us not merely to a scientific understanding, but to a soulful reckoning, one that traces the delicate yet resilient legacy of textured hair. Our exploration begins not with clinical detachment, but with the profound, intimate relationship diverse peoples, particularly those of Black and mixed-race descent, have always held with their crowning glory.
Hair, in its original state, was a living archive, a signifier of lineage, status, community, and spiritual connection. Yet, this inherent richness was distorted, weaponized even, by systems of thought that sought to dismantle human dignity.

Origins of Categorization Bias
The very concept of categorizing hair in ways that would diminish its value began to calcify in the crucible of emerging racial science. In the 18th and 19th centuries, a disturbing pseudoscience sought to formalize human differences, aiming to establish immutable racial categories. Practitioners of this emerging scientific racism, such as Charles White in 1799, described each perceived racial category in physical terms, identifying differences in skin color, facial features, and crucially, hair texture. He measured body parts of Black and white individuals, creating an illusion of hard science to support his conclusions about a supposed hierarchy of races.
This was not an innocent academic pursuit. It was a conscious effort to construct a racial ladder, with European features, including straight hair, positioned at its apex.
Early hair typing systems, born from scientific racism, distorted the ancestral significance of textured hair, transforming a symbol of heritage into a tool of subjugation.

The Eugenicist’s Gaze
One particularly unsettling chapter in this history involves the German scientist Eugen Fischer, a fervent eugenicist. In the early 1900s, Fischer developed a ‘hair gauge’ and a system to classify hair by color and texture. His aim was to determine an individual’s “proximity to whiteness,” a horrifying metric used in present-day Namibia on mixed-race populations to ascertain “Blackness” based on hair texture.
This chilling methodology coincided with the genocide of the Herero and Nama people between 1904 and 1908, a period of brutal German occupation where such systems contributed to the subjugation of indigenous populations. Fischer’s work extended the theories of Francis Galton, Charles Darwin’s cousin, who suggested that some human groups were more “evolved” than others, using variations in hair and skin as purported “proof” of distinct, superior, or inferior races.

Hair as a Badge of Forced Identity
During the era of slavery and colonialism, hair texture became a primary phenotypic marker of racial group membership, used to assign or deny privilege. The sheer materiality of hair, its curl, its coil, its density, became a means of policing social boundaries. This was not merely an academic exercise but had brutal, lived consequences. A stark illustration of this can be found in the notorious Apartheid Pencil Test in South Africa, used between 1948 and 1994.
If a pencil placed in a person’s hair remained in place due to tight curls, they were classified as Black or “Colored” on identity documents and subjected to segregation. If the pencil slid out, they were considered White. This seemingly simple test directly dictated one’s access to rights, opportunities, and even basic humanity, all based on the perceived texture of their hair. It shows a profound historical example of how early hair typing, or rather, the racialized interpretation of hair texture, served as a gatekeeper of social stratification and oppression.
The vocabulary used to describe textured hair was often imbued with disdain, reflecting this hierarchy. Adjectives such as “woolly-haired” were employed in taxonomic categories, while “frizzy” or “uncombable” became common descriptors, often carrying inherent bias and a history of derogatory usage spanning centuries. These terms were not neutral observations; they were loaded with negative connotations, contributing to a pervasive cultural narrative that devalued Black and mixed-race hair.
| Historical Classification Method Eugen Fischer's Hair Gauge (early 1900s) |
| Purpose and Underlying Ideology A tool to determine "proximity to whiteness" based on hair color and texture; rooted in eugenics. |
| Impact on Perception of Textured Hair Reinforced hierarchy, linking tighter textures to "inferiority" and "Blackness," justifying racial subjugation. |
| Historical Classification Method The Pencil Test (Apartheid South Africa) |
| Purpose and Underlying Ideology A practical, discriminatory test to classify individuals as Black, White, or "Coloured" based on whether a pencil stayed in their hair. |
| Impact on Perception of Textured Hair Directly dictated social status, access to resources, and legal identity, demonizing natural hair as a marker of "otherness." |
| Historical Classification Method Nineteenth-Century Physical Anthropology |
| Purpose and Underlying Ideology Sought to identify immutable racial categories based on physical differences, including hair texture. |
| Impact on Perception of Textured Hair Contributed to scientific racism, framing African hair as a distinct, supposedly less "evolved" trait compared to European hair. |
| Historical Classification Method These systems underscore how early hair typing was not a neutral descriptive act but a tool for enforcing racial hierarchies and shaping negative perceptions of textured hair. |
The very distinction between what was considered “hair” and what was deemed “wool” or “fur” highlights this insidious perception. Victorian eugenicists openly regarded Black people’s hair as animal fur, asserting that they had remained “blackskinned, woolly-headed animal for the last 2,000 years.” This dehumanization was a foundational element in establishing and maintaining systems of control and exploitation. Hair, an intimate part of self, was thus stripped of its ancestral meaning and re-categorized as a marker of perceived biological inferiority.

Ritual
The forced migration of Africans across the Atlantic carried profound implications for the heritage of hair. Upon arrival in the New World, enslaved individuals often had their heads shaved, an act designed to strip them of their cultural identity. Many African societies utilized hairstyles to signify tribal identity, marital status, age, and other personal characteristics. This violent act of shaving was an initial, brutal assertion of control, severing the deep spiritual and communal ties that hair held within ancestral practices.

Survival and Adaptation of Care
Despite such devastating attempts at cultural erasure, the deep wisdom of hair care persisted. Enslaved Black women, denied traditional styling tools and ingredients, demonstrated extraordinary ingenuity. They turned to what was available ❉ butter, kerosene, and bacon grease, even combs intended for livestock, to tend to their hair. These acts of adaptation, born of necessity, were also acts of resistance, preserving a continuity of care against overwhelming odds.
The emergence of the “good hair” concept during this period, privileging looser curl patterns, created internal divisions within Black communities. This ideal established a standard that aligned with white beauty norms, leading to the perception of tighter curls as “unkempt” or “less than.”
The concept of “good hair” emerged during slavery, favoring textures closer to European ideals and creating enduring divisions within Black communities, reflecting how perception was internalized.

The Rise of “Good Hair” and Its Legacy
The “good hair” construct was not merely an aesthetic preference; it was a deeply ingrained system of social evaluation rooted in the historical context of slavery and colonialism. This framework positioned hair textures closer to those of European origin—straighter, looser curls—as desirable and professional, while afro-textured hair was often deemed “unprofessional,” “unattractive,” or “unclean.” This bias continues to manifest as texturism, a form of discrimination where coarser or afro-textured hair types are viewed negatively.
Figures like Madam C. J. Walker, an African American businesswoman, achieved considerable success by widening the teeth of the hot comb and pioneering the modern perm. These innovations offered ways for Black women to straighten their hair, which became a staple in the Black community.
While Walker’s work provided economic empowerment and a means for women to achieve desired aesthetics, it also highlights the societal pressure to conform to Eurocentric beauty standards. The products designed to straighten hair, some containing harsh chemicals like lye, were marketed to Black women, perpetuating unrealistic beauty standards and sometimes causing physical damage.

Hair as a Site of Identity Reclamation
Even amidst the pressures to conform, hair remained a powerful canvas for identity and resistance. Historically, African hairstyles symbolized various ranks, cultural values, and spiritual connections. During the Trans-Atlantic slave trade, cornrows, for instance, were used to convey escape strategies, sometimes even mapping routes to freedom. This incredible example demonstrates how enslaved Africans used hair not just for beauty, but as a silent, powerful form of communication and a keeper of hope.
The deliberate act of shaping hair, even to mimic European aristocratic styles, could also be seen as a complex form of engagement with racial boundaries, highlighting how “frizzly hairstyles were an interface in which white and Black racial characteristics converged.” (Nabugodi, 2021, p. 62–3)
The early 20th century saw media images frequently perpetuating European beauty ideals, even when showcasing African Americans. Winners of Black beauty pageants often wore straightened hairstyles, reflecting the prevailing standards. This historical context underscoring the deep roots of how early hair typing and racialized perceptions influenced not only societal views but also self-perception and beauty practices within the textured hair community.

Relay
The echoes of early hair typing systems reverberate in contemporary perceptions of textured hair, influencing self-identity and societal biases. While the overt, pseudoscientific racial classifications of the past have been largely discredited, their legacy persists in subtle and overt forms of discrimination, often termed texturism. This discrimination privileges looser curl patterns over tighter, coily textures, creating a hierarchy that perpetuates the notion of “good hair” versus “bad hair,” directly stemming from the historical desire to quantify “proximity to whiteness.”

Impact on Wellbeing and Professional Spaces
The psychological toll of these historical perceptions is considerable. Black women, for instance, often report feeling compelled to alter their hair to conform to perceived white standards in professional and educational settings. This pressure can lead to decreased mental well-being and poor hair esteem, as hair can become a sole indicator of Blackness, particularly for mixed-race individuals who may grapple with their racial identity. A stark illustration of this ongoing bias is found in research indicating that Black Women’s Hair is 2.5 Times More Likely Than White Women’s Hair to Be Seen as Unprofessional. This statistical reality underscores how historical prejudices, born from early hair typing and its racist underpinnings, continue to shape opportunities and perceptions in the modern world.
The enduring legacy of early hair typing contributes to present-day texturism, where tighter curls face discrimination in professional and social realms.

Modern Hair Typing Systems ❉ A Complex Inheritance
Contemporary hair typing systems, such as Andre Walker’s, which categorize hair into numerical types (1-4 for straight to kinky) with letter subdivisions, are widely used in the beauty industry. While intended to simplify hair care and product recommendations, these systems are not without criticism. They are often imprecise because they are based on visual perception rather than scientific measurement. More significantly, critics argue that they inadvertently perpetuate the historical bias against tighter curl patterns.
The categorization of tightly coiled hair as “kinky,” for example, carries a racialized undertone, placing undue focus on race. There is a widespread concern that such systems, even with modern updates like the inclusion of 3C and 4C, still implicitly favor looser curls and can lead to misinformation that suggests tightly coiled hair is inherently dry or unhealthy.
The inherent limitations of these perception-based systems contrast with the scientific understanding of textured hair. While the chemical composition of all hair types is remarkably similar, the unique structural characteristics of textured hair—such as its elliptical cross-section and varying curvature—influence its properties and care needs. Current research seeks to establish more neutral, empirically based metrics for describing hair variation, moving away from subjective, racially charged terminology. Anthropologist Tina Lasisi, for example, has dedicated her research to quantifying hair curvature and finding objective ways to describe hair variation, a departure from the historical void of unbiased scientific language.

Reclaiming Heritage ❉ The Natural Hair Movement
In response to centuries of discrimination and imposed beauty standards, the natural hair movement has surged as a powerful force for cultural reclamation and self-acceptance. This movement, particularly prominent since the 2000s, encourages individuals to embrace their hair’s inherent texture, moving away from chemical straighteners and heat styling that can cause damage. It represents a profound shift in perception, challenging the notion that afro-textured hair is “undesirable” or “unprofessional.”
The movement draws strength from the historical significance of natural hair as a symbol of Black power and identity, recalling the defiance of the 1960s and 70s. It is a collective act of decolonizing bodies and minds, as seen in the Dominican Republic, where women are choosing to wear their hair curly to challenge the discourse that curly hair is “unkempt and dirty” and Afrodescendant bodies are “unhealthy.” This reclaiming of natural hair is not merely a styling choice; it is a declaration of pride in one’s ancestral lineage and a rejection of the discriminatory perceptions imposed by early hair typing systems.
Legislative efforts like the CROWN Act (Create a Respectful and Open World for Natural Hair) in the United States represent tangible progress. This legislation prohibits race-based hair discrimination in professional and educational settings, seeking to dismantle policies and biases against natural Black hairstyles like afros, locs, braids, and twist-outs. These legal protections are a testament to the ongoing struggle to universalize the declaration that “all hair is good hair,” irrespective of its texture or how it aligns with a historically biased typing system.
- African Hair Traits ❉ Characterized by an elliptical cross-section and varied curvature, allowing for unique coiling patterns.
- Historical Disdain ❉ Often labeled with derogatory terms like “woolly” or “kinky” within racialized classification systems.
- Resilience and Adaptation ❉ Ancestral practices of hair care and styling adapted creatively despite immense historical challenges, demonstrating enduring cultural knowledge.
- Modern Reclamation ❉ The natural hair movement re-centers ancestral beauty, challenging prejudiced perceptions and advocating for systemic change.

Reflection
The journey through the history of early hair typing, from its pseudoscientific origins to its lasting influence on contemporary perceptions, reveals a profound truth about the spirit of a strand. Each curl, each coil, each wave carries within it not merely biological information but the indelible imprint of human experience. It is a living, breathing archive, bearing witness to oppression, to resilience, to ingenious adaptation, and to triumphant reclamation. The very act of classifying hair, initially conceived as a tool of division, has inadvertently galvanized a profound connection to heritage for those whose textures were once deemed “other.”
To truly honor the textured hair heritage is to acknowledge its complex past and to celebrate its vibrant present. It means understanding that the beauty of a strand is not measured by its proximity to a fabricated ideal, but by its intrinsic nature, its ancestral memory, and the stories it continues to tell. The ongoing dialogue around hair type, discrimination, and identity is an invitation to listen more closely to the wisdom held within these unique strands, learning from the past to shape a future where all hair is seen not just as hair, but as a sacred expression of self, deeply rooted in a rich and enduring legacy.

References
- Byrd, Ayana D. and Lori L. Tharps. Hair Story ❉ Untangling the Roots of Black Hair in America. St Martin’s Griffin, 2001.
- Dabiri, Emma. Twisted ❉ The Tangled History of Black Hair. HarperCollins, 2020.
- Hrdy, Daniel. “Quantitative analysis of the shape of a hair curl.” American Journal of Physical Anthropology, vol. 39, no. 2, 1973, pp. 289-291.
- Lasisi, Tina. “Human hair curvature variation ❉ an empirical study.” Scientific Reports, vol. 8, no. 1, 2018, p. 16518.
- Nabugodi, Mathelinda. “Afro Hair in the Time of Slavery.” Studies in Romanticism, vol. 60, no. 4, 2021, pp. 467-484.
- Patton, Tracey Owens. “Black Hair and Social Consciousness.” Journal of Black Studies, vol. 37, no. 5, 2006, pp. 770-781.
- Rooks, Noliwe M. Hair Raising ❉ Beauty, Culture, and African American Women. Rutgers University Press, 1996.
- Robinson, Christine. “The Politics of Hair ❉ Hair, Gender, and Race in Black Female Narratives.” Feminist Media Studies, vol. 11, no. 3, 2011, pp. 293-306.
- Thompson, Carla. “Hair as a Lens ❉ An Analysis of Black Women’s Hair and Identity.” Journal of Black Psychology, vol. 35, no. 3, 2009, pp. 287-304.
- White, Charles. An Account of the Regular Gradation in Man, and in Different Animals and Vegetables; and from the Former to the Latter. C. Dilly, 1799.